Phenomenology

Books

Ayfre, Amédée. Conversion aux images. Éditions du Cerf, 1964. 

Barker, Jennifer M. The Tactile Eye: Touch and the Cinematic Experience. Berkeley: University of California Press, 2009.

Casebier, Allan. Film and Phenomenology: Towards a Realist Theory of Cinematic Representation. Cambridge, New York: Cambridge University Press, 1991. 

Chamarette, Jenny. Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French Cinema, New York: Palgrave, 2012

Marks, Laura. Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham: Duke University Press, 2000. 

Marks, Laura. Enfoldment and Infinity: An Islamic Genealogy of New Media Art. Cambridge: MIT Press, 2010. 

Parry, Joseph, ed. Art and Phenomenology. London: New York: Routledge, 2011

Shaw, Spencer. Film Consciousness: from phenomenology to Deleuze, Jefferson, N.C.: McFarland Press, 2008. 

Sobchack, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley: University of California Press, 2004. 

Sobchack, Vivian. The Address of the Eye: A Phenomenology of the Film Experience. Princeton: Princeton University Press, 1991. 

Torlasco, Domietta, The Time of the Crime: Phenomenology, Psychoanalysis and Italian Film, Stanford: Stanford University Press, 2008. 

Vaughan, Hunter. Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking (New York: Columbia University Press, 2013). 

Wahlberg, Malin. Documentary Time: Film and Phenomenology. Minneapolis: University of Minnesota Press, 2008. 

Walton, Saige. Cinema's Baroque Flesh: Film, Phenomenology and the Art of Entanglement, Amsterdam: University of Amsterdam Press, 2016. 

Zhou, Yueliang. Phenomenology of Film, Beijing Shi, 2003. 

Articles

Belton, John. "The Phenomenology of Film Sound: Robert Bresson's A Man Escaped," in Lowering the Boom: Critical Studies in Film Sound, edit. Jay Beck and Tony Grajeda, Urbana, IL: U of Illinois P, 2008. 

Chamarette, Jenny. "Embodied Worlds and Situated Bodies: Feminism, Phenomenology, Film Theory," Signs (Vol. 40, no. 2, January, 2015)

Chamarette, Jenny. "The Disappearing Work: Chantal Akerman and Phenomenologies of the Ephemeral," Contemporary French and Francophone Studies (Vol. 17(3), June 2013)

Hanich, Julian and Ferencz-Flatz, Christian. "What is Film Phenomenology?" Studia Phaenomenologica, 2016, Vol.16

Ince, Kate. "Feminist Phenomenology and the Film World of Agnès Varda," Hypatia, August 2013, Vol.28(3)

Kreider, Kristen ; O'Leary, James. "Time, place and empathy: the poetics and phenomenology of Andrei Tarkovsky's film image," in Visual Studies, 01 March 2013 (Routledge). 

Kuhn, Annette and Westwell, Guy. "Phenomenology and Film," in A Dictionary of Film Studies, Oxford: Oxford University Press, First Edition, 2012

Leifer, A. "The Experienced Film: Phenomenology and Film Theory," in Kosmorama, 1998 Sum, Issue 221

Lindner, Katharina. "Situated Bodies, Cinematic Orientations: Film and (Queer) Phenomenology," in De-Westernizing Film Studies, Abingdon, England: Routledge, 2012. 

McHugh, Kevin. "Touch at a Distance: Toward a Phenomenology of Film," in GeoJournal, 2015, Vol.80(6). 

Merleau-Ponty, Maurice. "Cinema and the New Psychology,"  published in The robot in the garden: telerobotics and telepistemology in the age of the Internet, ed. Ken Goldberg, Cambridge: MIT Press, 2000. 

Sobchack, Vivian. "Toward a Phenomenology of Non-Fictional Experience," in Collecting Visible Evidence, ed. Michael Renov and Jane Gaines (Minneapolis: University of Minnesota Press, 1999), 241-254.

Sorfa, David. "The Touch of History: A Phenomenological Approach to 1960s Czech Cinema", in The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure, eds. Matilda Mroz, Ewa Mazierska, Ewa Ostrowska. Edinburgh: Edinburgh University Press. 2016, pp. 187-206.

Stephens, Elizabeth. "Sensation machine: Film, phenomenology and the training of the senses," Continuum, 01 August 2012, Vol.26(4)

Sternagel, Jörg. "An Emphasis on Being: Moving Towards a Responsive Phenomenology of Film('s) Performance", in  Acting and Performance in Moving Image Culture: Bodies, Screens, Renderings, Bielefeld, Germany, 

Tuck, Greg. "Maurice Merleau-Ponty and the in-visible of cinema," in New takes in film-philosophy edit. Havi Carel and Greg Tuck, New York: Palgrave Macmillan, 2011. 

Tomasula, Frank. "The Text-in-the-Spectator: The Role of Phenomenology in an Eclectic Theoretical Methodology." Journal of Film and Video 40 (Summer 1988): 20-32.

Tomasulo, Frank. "Phenomenology: Philosophy and media theory - an introduction," Quarterly Review of Film and Video (Volume 12 (3), 1990). 

Tomasulo, Frank. "Selected Bibliography: Phenomenology and Film." Quarterly Review of Film and Video 13 (Summer 1990): 261-263.

Yacavone, Daniel. "Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium and Expression," New Literary History (vol. 47, no. 1, Winter 2016).