Philosophy & World Cinemas

Chaudhuri, Shohini. Cinema of the Dark Side. Edinburgh: Edinburgh University Press, 2014.

Lim, Bliss Cua. Translating Time. Durham and London: Duke University Press, 2009. 

Jones, Steve. "Technologies of Isolation: Apocalypse and Self in Kiyoshi Kurosawa's Kairo." Japanese Studies 30, no. 2 (2010): 185-98.

Jones, Steve. "Death of the Image/the Image of Death: Temporality, Torture and Transience in Yuuri Sunohara and Masami Akita's Harakiri Cycle." Journal of Japanese & Korean Cinema 3, no. 1 (2011): 163-177.

Martin-Jones, David, Deleuze. Cinema and National Identity. Edinburgh: Edinburgh University Press, 2006. 

Martin-Jones, David. Deleuze and World Cinemas. London: Continuum, 2011. 

Martin-Jones, David, and William Brown, eds. Deleuze and Film. Edinburgh: Edinburgh University Press, 2012. 

Martin-Jones, David, and David Fleming, eds. "Special Issue: Deleuze and Chinese Cinemas." Journal of Chinese Cinemas 8: 2 (2014). 

Martin-Jones, David, ed. "Special Issue: Film-Philosophy and a World of Cinemas." Film-Philosophy 20: 1 (2016).  http://www.euppublishing.com/toc/film/20/1 

Marks, Laura U. The Skin of the Film. Durham and London: Duke University Press, 2000. 

Nagib, Lucia. World Cinema and the Ethics of Realism. London: Continuum, 2011.

Pisters, Patricia. The Neuro-Image. Stanford: Stanford University Press, 2012.

Filmmakers, Moving Image Artists & Philosophy

Arsenjuk, Luka. Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis, Minneapolis: University of Minnesota Press, 2018.

Grundmann, Roy, ed. A Companion to Michael Haneke. Malden, MA: Wiley-Blackwell, 2010.

Manning, Erin, Erik Bordeleau, Toni Pape, Ronald Rose-Antoinette, Adam Szymanski, Nocturnal Fabulations: Ecology, Vitality and Opacity in the Cinema of Apichatpong Weerasethakul, Open Humanities Press, 2017.

Martin-Jones, David. "Towards Another '–Image': Deleuze, Narrative Time and Popular Indian Cinema." Deleuze Studies 2.1 (2008): 25-48.

Morgan, Daniel. Late Godard and the Possibilities of Cinema. Berkeley: University of California Press, 2013.

Peretz, Eyal. Becoming Visionary: Brian De Palma’s Cinematic Education of the Senses. Stanford, CA: Stanford University Press, 2007.

Price, Brian and John David Rhodes, eds. On Michael Haneke. Detroit: Wayne State University Press, 2010.

Younger, Prakash. Boats on the Marne: Jean Renoir's Critique of Modernity, Indiana University Press, November 2017.

Singer, Irving. Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. Cambridge, MA./London: The MIT Press, 2007.

Skakov, Nariman. The Cinema of Tarkovsky: Labyrinths of Space and Time. London: I.B. Tauris, 2012.

Vaughan, Hunter. Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking. New York: Columbia University Press, 2013.

Yanal, Robert J. Hitchcock as Philosopher. Jefferson, NC: McFarland, 2005.

Wheatley, Catherine. Michael Haneke’s Cinema: The Ethic of the Image. Oxford: Berghahn, 2009.

Films & Philosophy

Schmerheim, Philipp. Skepticism Films: Knowing and Doubting the World in Contemporary Cinema. New York, NY: Bloomsbury Academic, 2017.